50 Years of Hip Hop: Here’s How the Sound, Scene and Gesture Took the Music Around the World

[ad_1]

On August 11, 1973, DJ Kool Herc and his sister Cindy started a new genre of music at a lounge at 1520 Sedgewick Avenue in The Bronx, New York. Herc’s party represented the coming together of music and the beginning of something new. The Bronx crowd didn’t like the dancehall sounds Herc had started playing. So, Herc changed the sound and used the key switch to light up like a strobe-light to add atmosphere. Little did he know that his program would be accepted by the worldwide hip-hop fraternity as the starting point of what would become one of the most important creative movements of the last century. This year, members of the hip-hop community, spanning multiple generations, will celebrate the core elements of hip-hop culture.

Graffiti, breaking (or breakdancing), DJing and rapping that have flourished over the past 50 years

1973 is recognized as the year hip-hop was born, but it was not until 1979 that the first rap records associated with hip-hop culture were recorded. Fatback’s King Tim III (Personality Jock) followed in the spring of that year, followed by Sugarhill Gang’s Rappers Delight in late summer. Over the next three years, a series of disco-oriented rap records followed, cementing hip-hop culture through vinyl. The six years between 1973 and 1979 were crucial to the development of hip-hop. Grandmaster Flash, DJ Mean Gene, Grandwizard Theodore, DJ Breakout, and DJ Baron from The Brothers Disco, Afrika Bambaataa, and Kool Herc were pioneering hip-hop jams in their respective Bronx neighborhoods. MCs and rappers, such as Coke La Rock, Grandmaster Caz and M.C. G.L.O.B.E. Also developed rap styles.

How Hip-Hop Got Worldwide Famous

Breakers were also moving forward, breaking dance moves, styles and forms in response to the breakbeat – the parts of the record where rhythm and beat are replaced. Kool Herc developed the merry-go-round, a method of continuing the break using two copies of the same record, thus creating a music where breakers could dance for longer periods of time and in more creative ways. Are. While it all flourished in America, it took nearly a decade for hip-hop culture to reach other countries. Sugarhill Gang’s Rappers Delight and Curtis Blow’s Christmas Rappin’ (1980) were hits overseas. However, hip-hop’s identity was disseminated globally by punk impresario Malcolm McLaren and scenes in the Buffalo Gals music videos of the world-renowned Supreme Team. It was also helped by The New York City Rap Tour in 1982.

Hip-hop accused of not producing proper music

Throughout its history, hip-hop has been accused of not producing proper music. Its early incarnations, ranging from cover versions of funk and disco jams to records and studio bands rhyming over programmed drum machines and digital sampling, did not sit comfortably with 20th-century music. MCs were accused of rapping because they couldn’t sing. Braking was named the old fad that kids grew up with to yo-yoing or jumping on pogo sticks. Hip-hop challenged the norms of mainstream music. Nevertheless, we enjoy a cultural movement here that continues to evolve.

Today people are getting employment from hip-hop

The importance of hip-hop is multifaceted, but one of the most important things about it is its ability to foster forms of self-confidence, self-expression and identity for its participants. Through practicing the elements, hip-hop practitioners learn new ways to create art. While formal education in the visual arts, dance and music is unnecessary, it is not necessary to own musical instruments or have access to a dance or art studio. Aspiring hip-hop artists learn from each other and the ethos of “everyone teaches the other” – adapted from an African American proverb – applies throughout the culture. Related to ideas of identity, hip-hop also brings lessons from black history – history that was not traditionally taught through traditional Western school curriculums. It is often called the fifth element of hip-hop.

Breakers were also moving forward, breaking dance moves, styles and forms in response to the breakbeat – the parts of the record where rhythm and beat are replaced. Kool Herc developed the merry-go-round, a method of continuing the break using two copies of the same record, thus creating a music where breakers could dance for longer periods of time and in more creative ways. Are. While it all flourished in America, it took nearly a decade for hip-hop culture to reach other countries. Sugarhill Gang’s Rappers Delight and Curtis Blow’s Christmas Rappin’ (1980) were hits overseas. However, hip-hop’s identity was disseminated globally by punk impresario Malcolm McLaren and scenes in the Buffalo Gals music videos of the world-renowned Supreme Team. It was also helped by The New York City Rap Tour in 1982.

Hip-hop accused of not producing proper music

Throughout its history, hip-hop has been accused of not producing proper music. Its early incarnations, ranging from cover versions of funk and disco jams to records and studio bands rhyming over programmed drum machines and digital sampling, did not sit comfortably with 20th-century music. MCs were accused of rapping because they couldn’t sing. Braking was given the name of an old fad, as kids grew up to love yo-yoing or jumping on pogo sticks. Hip-hop challenged the norms of mainstream music. Nevertheless, we enjoy a cultural movement here that continues to evolve.

Today people are getting employment from hip-hop

The importance of hip-hop is multifaceted, but one of the most important things about it is its ability to foster forms of self-confidence, self-expression and identity for its participants. Through practicing the elements, hip-hop practitioners learn new ways to create art. While formal education in the visual arts, dance and music is unnecessary, it is not necessary to own musical instruments or have access to a dance or art studio. Aspiring hip-hop artists learn from each other and the ethos of “everyone teaches the other” – adapted from an African American proverb – applies throughout the culture. Related to ideas of identity, hip-hop also brings lessons from black history – history that was not traditionally taught through traditional Western school curriculums. It is often called the fifth element of hip-hop. (with language input)

[ad_2]

Source link