Bhakshak Review: Thank you for acting!, Ekta Kapoor, see what Bhumi Pednekar can do in the company of Shahrukh… – Dainik Savera Times

Bhakshak Review: Thank you for acting!, Ekta Kapoor, see what Bhumi Pednekar can do in the company of Shahrukh… – Dainik Savera Times

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Mumbai : The heroine of the film is Bhumi Pednekar. After the film ‘Pati, Patni Aur Woh’, his magic was neither seen in theaters nor on OTT. It is their fault. The audience likes her as a powerful artist, I don’t know why she kept running after becoming a star. The film ‘Bhakshak’ is a film of homecoming for the land, to its land. The land that Yash Raj Films, the company that nurtured him in cinema, had prepared for him in ‘Dum Laga Ke Haisha’. Vaishali Singh is such an example of women empowerment that Shahrukh Khan himself took interest in creating it. It has been six years since Vaishali Singh got married. Haven’t become a mother yet. We can understand how much pressure there is on him from family and society to adopt him. She also does work which is considered ‘wonder’ for the daughters of small towns.

Miracle of perfect casting

Although its supporting actors Sanjay Mishra, Aditya Srivastava, Satya Kam Anand, Murari Kumar, Durgesh Kumar, Sai Tamhankar, Samta Sudhiksha also have a big role in strengthening the backbone of the film ‘Bhakshak’, but first let’s talk about the film’s heroine Bhumi Pednekar. . Bhumi is playing the role of Vaishali Singh in this new film of Netflix. Although he has to work hard to capture the typical Bihari accent

Story of madam with youtube channel

This place is Munavwarpur in the film ‘Bhakshak’ inspired by the story of Muzaffarpur shelter home incident in Bihar. One night, a woman journalist of a small YouTube channel is handed over the audit report by a person, on which the state government has not been able to take any action for the last three months. There are reports that girls living in Munavwarpur shelter home are being raped. It also comes to light that any girl who opposes this rape, her name and trace is erased. Vaishali enters into this religious war. Middle-aged cameraman Bhaskar is his only charioteer. Husband doesn’t like this. When he receives a threat, he becomes even more enraged. Sister, brother-in-law etc. also do not support. While searching, she reaches the girl who once worked as a cook in this shelter home. Sometimes the matter seems to be resolved, sometimes it seems complicated and sometimes it seems that Vaishali will lose this battle. There is a twist in the story of a female IPS officer who is tied to the strings of the system which has become a puppet of the state’s politics. Whatever has to be done, has to be done by Vaishali Singh herself.

Most of Pulkit’s dice were correct.

And, whatever Bhumi Pednekar as Vaishali Singh does in this film, after the initial lethargy, when she gets into the groove with the story of the film, then one does not feel like getting up without watching the film completely. Director Pulkit, along with Jyotsna Nath, has made a wonderful script of the film after the initial success of Saddi Udaan. Small characters become the flowers of its fabric and keep it shining. Sanjay Mishra remains in his place as the cameraman of the channel. Satya Kam Anand in the character of Sonu is the real spice of this story. The prank of Durgesh Kumar of web series ‘Panchayat’ also helps in setting the tone. Samta Sudhiksha’s character is that of a catalyst who helps the female cook to escape from the shelter home. Sai Tamhankar’s character is weak. Perhaps it is the Balihari of Bihar who saved the writers from turning her into Lady Singham. Aditya Srivastava plays the villain of the film and his body language shows that he can still become a ray of hope in the huge shortage of villains seen on the big screen. The cinematography of the film is good. Editing is weak. Had the background music and its lyrics been a little better and had been composed in accompaniment to the folk instruments of Bihar, it could have made the icing on the cake shine more. Give the film a 3.5 star rating.

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