Sequel Movies: Is the hit formula hidden in sequel films? Half a dozen films are in the queue including ‘Hera Pheri 3’

Sequel Movies: Is the hit formula hidden in sequel films?  Half a dozen films are in the queue including ‘Hera Pheri 3’

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Last year Bollywood films flopped a lot, so this year also only selected films got the love of the audience. In such a situation, Bollywood people are not able to understand what kind of films should be made, which will attract the audience to the theaters again. Seeing the stupendous success of Bhool Bhulaiyaa 2 and Drishyam 2 last year, the film industry is currently announcing sequels of their old superhit films. The sequels of Bhool Bhulaiyaa 2 and Drishyam 2 have already been announced.

After a lot of controversies in the past, the sequel of the film Hera Pheri has also been announced. Earlier there was talk of Karthik Aryan being cast in this film, but later the film was announced with the original cast of the film, Akshay Kumar, Sunil Shetty and Paresh Rawal. Apart from this, sequels of films like Welcome and Sarkar are also planned. At the same time, news is also coming about the next part of Akshay Kumar and John Abraham’s film Desi Boyz. If filmmaker Anand Pandit is to be believed, he is working on the sequels of many of his films. These include Desi Boyz 2, The Big Bull 2, Sarkar 4 and Omkara 2.

After all, how much power is there in his script

Talking about the growing trend of sequels in Bollywood, producer and film business analyst Girish Johar says, “It’s okay that a sequel to a hit film helps you bring the audience to the theaters on the first day, but ultimately the success of the film depends on the success of the film.” It depends on how much power is there in his script.

‘Sequels are made with a lot of hard work’

Recently, during the release of the film Pathan, people remembered the film Ra.One a lot. During this, many people were talking about re-releasing the film. At the same time, many people were demanding to make its sequel. On talking about this, Anubhav Sinha, director of the film Ra.One said, ‘Actually, many times films become young late. The sequel of this film is also being demanded. However, I believe that old films are like old girlfriends, who are missed when they are gone. Now even if a sequel to Ra.One will be made, Ra.One will still be the old girlfriend. I have no problem with making a sequel to Ra.One, but there should be a good story for it, which both Shah Rukh Khan and I would like.

’20-20 years time to develop the story’

Regarding the increasing craze of sequel films nowadays, Anubhav says, ‘If you are planning to make a sequel by just writing 2 or 3 words in front of the title of a film, then let me tell you that sequels are not made like this. To make a sequel, you have to learn from Hollywood people, where people spend 20-20 years to develop the story of the sequel. However, the sequels of most of the films there are pre-decided and the sequel is announced only in the climax of the first film. However, I am also sure that very soon we Hindi film industry people will also learn to make sequels. Actually, we Indians believe a lot in Jugaad. That’s why we will also learn to juggle making sequels. Not only sequels, nowadays we are also trying our hand in Movie Universe by learning from Hollywood. All movie universes are being made from Bollywood to South.

‘Sequel does make sense’

Noted filmmaker Anand Pandit has already announced the sequel of his Kannada film Akshar, which was recently released in several languages ​​including Hindi. Talking about the trend of sequels, Anand says, ‘A sequel film gives a recall value to the audience. Second, the audience thinks the film will be good. Like make Total Dhamaal or Dhamaal Returns after Dhamaal movie, then people know that it is a sequel of Dhamaal. This gives you a tool for marketing. Also, a good result is seen in the collection of the first week. However, it has to be kept in mind that if you make the sequel as a film, it will be good. But if it is made as a project, it will be a flop. For example, see Drishyam 2, that film ran even though it had neither songs nor action. According to me, we should follow the system of 80-90s, when the director and producer had passion to make such a film, which people would come to watch in theatres.

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