Kumar Gandharva’s life itself is a great inspiration: Kalapini Komkali
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Kalapini Komkali, the soul of Kumar Gandharva ji, is telling in the interview that how new music seekers can take inspiration from the life of Kumar ji.
What inspiration should new seekers of classical music take from Kumar ji?
Kumar ji’s life itself is a great inspiration. The person who falls ill with tuberculosis at the age of 26-27 in his full youth. He remained silent for five years without moving, then stood up and later became so engrossed in the world of music that even the sky became small. It is a matter of learning how to remain restrained. How to go into the depth of your work and do such sadhna even by being silent, which emerges later. The second thing is never to be disappointed. Regarding the new experiments done by Kumar ji in music, new people feel that new experiments should be done, but people forget that tradition should not be abandoned while doing new experiments. It is necessary to understand the tradition in depth. The most important thing is to strengthen your tradition and roots.
Your mother Vasundhara Komkali ji has been associated with Jamshedpur. How will you remember his contribution in Kumar ji’s life?
Yes, Vasundhara ji was born in Jamshedpur. Later, in the early days of his life, the family settled in Calcutta, where he took his initial education in music. Later she came to Mumbai for further music education. Near the same Guru Deodhar ji, from whom Kumar ji was learning music. After marriage, he had to come to Dewas, Madhya Pradesh, so his journey has been very different in the context of Kumar ji. The way he has adapted himself to Kumarji’s music, I don’t think any disciple has changed himself so much in relation to his Guru. The music he first learned in Calcutta was very different. Then the music he learned after going to Mumbai to Devdhar ji was also very different. She was singing for All India Radio during both these times. After that, when she came to Dewas, the conversation with Kumar ji about music philosophy, learning from him, singing, changed her thinking about music. Seeing both of them singing together was like a divine interview. That accompaniment, that balance, that peak, where both used to reach together. In the context of Kumar ji, there has been a turn around. The kind of support he has given to Kumar ji in music, I don’t think any other such incident is seen in the world of music.
How do you see the state of classical music today? What is your vision for the future of classical music?
The path of classical music has never been easy, because it is not music that can be understood on the go. This is cultured music. Like Sanskrit is a well-cultured language. Whenever you have to speak Sanskrit, you will definitely have to learn it. Similarly, you have to learn classical music. Being ear-pleasing is one thing and being understood is another. It is a very good thing to listen to any music, but to understand it is a different thing. When classical music starts to be understood by a person, then his joy becomes twofold. He starts feeling more joy. The one who comes only by listening, definitely comes. He also comes after listening to film music. It’s also beautiful music, especially the old 70s pre-music, so classical music has always been a tough road to follow, but it’s just expanded. Interest in youth is seen somewhere less, somewhere more, but wherever interest is seen in youth. she’s very nice. The youth are understanding the matter and are also practicing it, so the path is definitely difficult, but it is towards the end, I would not say that at all.
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